Welcome to Trans Likely

Where liberation is radical self-acceptance

destruction 

I heard no noise over NYC that evening in July 2022 when I sat on my roof and surrendered to a truth I had built my world around suppressing. "Fuck," I wrote in my journal. "I'm trans." It was a revelation I had unknowingly invited four months prior on a day so hopeless I stood on the edge of my building and willed myself to step off of it. This was not an uncommon practice for me then. I was an artist, writer and musician who had spent the first ten years of my adult life chipping away at any sense of self that remained from a childhood of repression and brutality in order to fashion myself into an attorney at NYC’s most prestigious (read: sadistic) corporate law firm. I was about as far out of my rightful orbit as was possible for me then.

By the time I was licensed to practice, it had been years since I had fed my creative energies to anything other than legitimizing the colonial law machine and was so spiritually deprived as a result that I worshipped my work phone above all else. Day and night, week and weekend, in the shower, at the table, during sex, my work phone was never more than an arm’s reach away from me as the law firm’s well-established grooming practices finished the transformation that capitalism had begun on me at birth: I was inextricable from my phone, a machine to which the most profitable and destructive corporations on the planet had 24/7 access. I knew I was serious about dying that day when I went up to the roof without it. In the depths of that darkness, focused on fear and buried by lies, there was nothing left for me to see but light. I stretched out my arms and yelled at the sky: “if you’re out there,” I said to God. “Show me my purpose!” I did not expect a response. The one I got came from deep within. “Are you sure?”

Destruction is a seed planted in the dark.



mirror

I grew up with the God of wrath and terror. Born to wealthy white Christians in Southern California, I was preceded by many obedient colonial servants who passed patterns of domination, extraction, concealment and maintenance of the status quo down our lineage from one generation of unchecked narcissism to the next. With our ancestral ways long supplanted by white supremacy and its doctrines of self-suppression, colonial idolatry became our heirloom and familial rape our rite of passage. Violated into line by those violated before me, I was taught to be silent before I learned to speak and to shrink before I began to grow. I accepted the abuse as punishment for being who I was before I could articulate who it is that I was, and so birthed within me a belief that animated my self-repression with the fervor and fury of hellfire: I was worthless.

My spirit, alight with dreams of connection and creation, waned within me as I mirrored this belief into being by pouring my energy into proving myself by the priorities of the system instead. I obeyed the colonial cosplay assigned to me and followed the path of dominance, convinced I could find personal safety and self-worth on the road paved by the system that destroyed my sense of both in the first place. I explained my choices as necessary for my financial security, a steppingstone to “what I actually want to do,” and other such lies to hide the truth: I wanted to not feel worthless. Devoid of connection, trained for transaction, I conflated wealthy with worthy until I outperformed the illusion and shattered with it. From the cracks of my false self escaped a tether, splintered but intact, to the reality in which I have lived my life since: I am an expression of Spirit in human form, my purpose is to protect that expression of Spirit, and that expression of Spirit is trans.

Mirrors are prisons from which we are meant to break.



creation

My focus shifted from the concerns of my obedience to the imperatives of my spirit, which I excavated from the confines of my mind with daily journaling. I pulled my deepest desires from the drawers of my life and saw worlds beyond the bounds of my work phone and the locked doors of my childhood. Possible futures presented themselves on infinite platters and my ravenous heart, newly beating, feasted on the images: I saw green grass and leisure, food gardens and freed people, art and a life rid of the machine that had claimed my humanity and the lives of so many others. Hope steadied as I spoke these worlds into my mind on my pages and I breathed life into an uncovered identity I had almost hidden into oblivion: an artist who created for collective liberation. I remembered I was here to live. I remembered I was here to love. I remembered I was here to share myself with you, sweet reader. I began to do just that with the people I surrounded myself with then, and my world, so carefully constructed by compounding colonial conceits, fell to ruins.

Becoming is an uncomfortable process and the price of a dream, at least in my case, was everything I had known, loved, and relied on for my sense of self before I began to embody it. I knew nothing that was meant for me could ever miss me and was comforted by the knowledge that every loss cleared the way for my aligned life to take its place. The pain of sacrifice was no less great. At the time of writing, it has been over three years since my transformation began. I still grieve the friends and family I lost to fascist fears and focus on singular survival as if such a thing were possible in an oppressed collective and a world on fire. All the same, I had to learn that I could not shift the vision of those who clamped their eyes closed, I could only clarify my own. The more I saw, the more I changed; the more I changed, the more I lost; and the more I lost, the more I gained. In giving up all that which tethered me to my colonial self, I reclaimed the sacred: my identity, path, essence and purpose, my thread in the fabric of the highest timelines of collective harmony. I wove and life removed whatever blocked my needle.

Creation is a fire that burns all but truth to ash.




DUality

I am my created self, the one who conforms and conceals. I am my creative self, the one who expresses and reveals. My created self focuses on others and so it takes from the collective. My creative self focuses on me and so it gives to the collective. My created self follows the masses and separates me from them. My creative self stands out from the masses and connects me to them. My created self is passive and prays for a miracle. My creative self is active and lives as the miracle. My created self was grown from fear and so it feeds destruction. My creative self blossoms in truth and so it feeds creation. My created self is subservient. My creative self is sovereign. My created self is an illusion. My creative self is one with all and all there is.

I thank my created self for pushing me onto the ledge that day in 2022. Stubborn as I am, I don’t think anything less desperate would have allowed me to surrender to the creative self that then came through. The beauty of being trans is in our ability to bring the spiritual into the physical such that all who encounter us may share in our vision. We make art of our lives; we make art of our selves; we make art of the world and show it the power each of us holds to create it in our image. This is not unique to us, and it is specific to us. The contrast between my created and creative selves is borne out on my body and while both live within me, I know which one to choose because I can face them both. I choose the one that chooses life. I choose the one that chooses love. I choose the one that chooses you. I choose the one that is really me. I choose the one that creates a world in which all of us are free.

Liberation is radical self-acceptance.


Art and Poetry

i move through the world like a comet
fire ablaze to cleanse the womb
my wings aflame fan fires
encased in deadened tombs

you may not know this. now you do
your heart's a rotten core
you let it use your body
for a chance to think no more

trapped inside your mind
you think that you have sight
when trapped within your body
are its many parasites

you are more than your mistakes
you are more than blood and gore
you are more than a sick body
that keeps its spiritual score

open your mind.


I don’t have sixty seconds
To give to your salvation
When did it become my job
To think of your starvation?
My plate is full, so full in fact
There’s only time for takeout
I guess you wouldn’t have those days
When you have no food to think about



Letter to Palestine from my friends who chose fascism

I don’t have sixty seconds
To mourn you in the rubble
If I think of you too long
I’ll have to leave my bubble
I want to grill some burgers
With my friends that want you dead
It’s not that they’re bad people! It’s just—
Well, who knows what goes on in people’s heads?

I don’t have sixty seconds
I have to go to work
My job is not only to blame
For why you die of thirst
I have too much to do today
So much I will get nothing done
I have a future to uphold
I don’t have time for those with none

I know how this all sounds
It’s just—how do I explain?
I have my rent and then a bent
For Netflix, Hulu and sports games
Besides my boss is a total fascist
I mean voted for you know who
I can’t give you sixty seconds
Or he’ll think I’m not a fascist too

I totally support you
I mean we’re ethically aligned
It’s just my friend wrote this poem
Now I have to deal with being maligned
I have to text the others
And tell them what I’d do
If I had the time when I was online
To give my sixty seconds all to you

I’d love to take the time
I’d love to donate too
But there’s only one of me
And so, SO many of you
I couldn’t save you all
I couldn’t even try
I can’t give you sixty seconds
I can’t stand to watch you die

Instead I let you do it
Somewhere off my screen
I’d have to change some things
If I acknowledged my part in the machine
I can’t give you sixty seconds
My heart must stay offline
I can’t give you sixty seconds
I might remember I am divine

When you're ready to remember

A Graphic Novel

ranch likely

[Description and pitch deck for an artists' colony for trans creatives coming soon. Reach out below to support the project.]

this is not a true story

A Novel

Trash blew in a whirlwind behind the Exxon sign as I looked out my apartment window and wondered if I really wanted to leave the city. Cars honked at the light on my corner and a motorcycle ripped its engine nearby. The breeze carried dust and exhaust into the bedroom through the screen and the sunflowers I bought two days ago for my altar already withered, their petals pruning at the stem.

A vision of me reclining against the plaster wall in front of the gas pumps across the street wearing my boots and straps appeared to me as I considered all that was available to me in NYC from the window of my apartment. I had a uniform prepared for when I finally started letting myself make money: black leather platforms with silver mirrored heels, black leather micromini cut to the coochie, and black elastic straps rhinestoned and crisscrossed down the legs, spiderwebbed across the ass, hips, dick and torso. I changed out the crop top I wore to accommodate different colors and banners—fag in black or slut in pink, white and blue, for example—but all had sparkle and were cut short enough to show the trans symbol tattooed on my sternum. I also wore the symbol on a chain I got in a pay-what-you-can deal at a market at Rubalu and dangling from the earring I got as an early transition signifier, in case there were any room for doubt between my mohawk, flat chest and faint stubble about what I was. I like for the genitals to be like the surprise Kinder puts in chocolate, a prize you get for unraveling me to the center. Strange to think I used to let people do as much for free.

A siren wailed passed the window toward the Pulaski bridge and my mind returned to the apartment that I now had less than two months to vacate and 35 cents with which to do so. 47-16 11th Street had been my home through four years of excruciating transformation, and I found myself then in a peculiar in-between. The old life was gone—blown to bits by a combination of faith and mania—and the new one began in the same alcove of my living room, curtained off against the searing summer sun that baked the third-floor apartment in the wet heat of the new hottest July on record, where I once sat hunched behind three separate computer screens for hours on end and now awoke to words I had written in states of supreme inspiration on the walls. “Trust divine timing,” one read. “You’re an ICON,” said another. “Go be an ICON.” Weed from the dispensary down the block had begun to sour and taste like gasoline and while I smoked it much less than I used to, I still smoked it daily. The companion that rang my doorbell unannounced on a weekend I had asked to be alone was much more thoughtful than the previous lot that ignored my wishes in one way or another, and I had one again, nonetheless. I was still not making income. And my time in the apartment was almost up.

It was not that money-making opportunities weren’t available to me—I had moved beyond that realm of belief—it was that I seized up in the face of accessing them. I now knew about Lucky Strike, the metal bar for go-go, Topaz Lounge behind Affirmative Home (the first club I attended in NYC eight years ago) for stripping, and the booths at the back of the video store under the train tracks for full-service work, or dick-sucking for civvies. I knew others worked the parties I attended in Ridgewood and Bushwick, brought clients to kink events at the dungeon in Chinatown or the basement on Brooklyn’s 5th Ave, or even turned tricks in various unofficially designated public spaces around Washington Square where I once sat with my law school textbooks and cried on benches in front of the dog park. Then there were the online opportunities—Kinklife, Visit, Searching—and any number of other platforms I could use to advertise the body I had so lovingly rebuilt in the last four years I had spent healing into myself. Then of course there was the Exxon across the street. I had seen people meet their clients from my window once I switched my vigil to vampire hours, and the prospect of becoming what my cousin Caitlin once called a “trucker rat” opened up to me once more. It was one of the ways she survived her years in Arizona when multiple drug convictions had her state-bound and strapped for support. It was also how she met the last of her boyfriends that I knew before she died. These are just the options I care to list.

Why then my refusal to take advantage of them? Was it insecurity about my ability to entice payment? Lingering shame about the law career I had blown up to engage in this line of work? Fear of clients, the police or the christian god of my youth? I could say it was any one of those things. I could say it was punishment for the lifetime of sexual assault for which I still blamed myself and that, despite my best efforts, continued tentacle its way into my day-to-day experience through my malleable (or obliterable) boundaries. I could say it was because I had intuited that the solution to my financial woes (which at that time had me saying daily prayers over my mail that I not find a Con Edison shut off notice in the pile) and my ticket out of NYC could be found in sex work’s divine economy and I was not prepared to know just how much of a hand I’d had in my own suffering, let alone how much I could do to end unnecessary suffering altogether through the sheer power of commitment to my own delusions. I could say it was any one of those things.

You should know that I am an exceptionally well-practiced liar so believe me when I say that any one of those reasons would be at least part wrong and the true reason, buried within the many layers of this story, is more sinister and has greater collective implications than you are likely prepared to hear about just yet. Besides, like I said, this is not a true story.

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